Every print is made to order. I do not hold any stock; there is no warehouse. When you order, the image is printed with great care specifically for you and checked by hand before it ships.

All of my prints are professionally produced giclée fine-art prints. That means, they are produced on specialised modern printing equipment using 12 different inks to achieve the amazing colours, tonal scale and deep blacks these images deserve. The entire process from image capture to the editing process to the final print is colour managed. That is, all editing occurs on colour calibrated monitors and the final print occurs on colour calibrated printing equipment.

All prints are produced locally in Australia.

Great care is taken to ensure that the print you receive is what I — the artist — intended and is what you — the art enthusiast — expects.

After all the care that has gone into the image capture, curation, editing and printing, you want to be sure the end result is not diminished by the paper it lives on.

Every print in the collection is offered on your choice of three museum-grade fine-art papers. All three are 100% cotton, acid-free and free of optical brightening agents (OBAs), and all meet the ISO 9706 standard for archival permanence — so whichever you choose, your print is made to last for generations without yellowing or fading. What differs is the surface, and the character it lends the image.

Canson Infinity Platine Fibre Rag — 310gsm, satin. A fibre-based cotton paper that revives the look and feel of a traditional darkroom baryta print. Its satin surface sits between matt and gloss — a gentle sheen rather than a mirror — and its ultra-white base and very high D-max give deep, luminous blacks and a long, subtle tonal scale. A superb all-rounder for both black-and-white and colour, and my default choice.

Canson Infinity Rag Photographique — 310gsm, matt. The purest, most understated option: an extra-smooth true matt surface with no reflections at all, so nothing sits between the viewer and the image. Its natural white is achieved with minerals rather than brighteners, giving soft, painterly tones and a tactile, velvety feel in the hand. Ideal for quieter, more contemplative work.

Hahnemühle Photo Rag Metallic — 340gsm, glossy. A cotton rag paper with a barium-sulphate coating and a silvery, high-gloss metallic sheen. It delivers immense colour depth, a striking three-dimensional lustre and real punch — colours and highlights seem to glow. Best suited to bold, graphic and architectural images where you want maximum impact. As a heavier, speciality paper it carries a small surcharge, shown when you select it.

If you would like your print on another paper, please get in touch before ordering.

All sizes offered preserve the original aspect ratio of the image as intended by the artist. The image size refers to the printed image — the picture itself, before any margin. The size you pick in the options (e.g. 16 × 24 in) is that image area.

Every print carries a presentation margin around the image equal to 10% of its short side, rounded to the nearest 5 mm — so larger prints get a proportionally larger border. This lets the print be mounted behind a mat board either flush, with a small overlap, or with a reveal of up to 10–12 mm (framers generally need 3–5 mm to affix the print to the mat board). For example, a 16 × 24 inch print has an image size of 406 × 610 mm and a sheet size of 486 × 690 mm (a 40 mm margin on all four sides). If you intend to frame the print without a mat board, your framer can simply trim the margin off.

Please allow +/–2mm tolerance for any dimension specified.

If you purchase an artwork from my collection, you are supporting a local Australian artist. I am grateful for this — and in return I will strive to be as flexible as practical. If you require special dimensions, please get in touch before ordering and I will try accomodate you.

Orders ship within Australia and to selected international destinations, tracked and insured for their full value. Each print is packed flat or rolled to suit its size and protected against moisture and knocks.

I currently ship to: Australia, New Zealand, the United States, Canada, the United Kingdom, Ireland, Germany, France, the Netherlands, Belgium, Spain, Italy, Austria, Switzerland, Sweden, Norway, Denmark, Finland, Portugal, Japan, Singapore and Hong Kong. If your country does not appear at checkout, please get in touch and I will do my best to arrange delivery.

All prints are made specifically to your order and checked for any imperfections. Please allow 2 to 3 weeks for your order to be dispatched.

Shipping is free within Australia.

International buyers, please choose International shipping in your cart — a single flat fee for the whole order regardless of destination (your order ships together as one parcel). Should an international order be placed with Australian shipping selected, I reserve the right to not ship until the international shipping fee is paid.

All prints are dispatched from Australia. Any import duties or taxes outside Australia are set by the destination country and are the buyer’s responsibility.